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are voting GOMORRAH

We have time until Jan. 7 to vote Gomorrah Roberto Saviano as book of the year.

Just send an email to the program Benjamin TG1 - tg1libri@rai.it and write, vote for Gomorrah Roberto Saviano .

will be a victory a little bit our own.

PS Happy New Year

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LOGBOOK 15

Girulà AWARDS '2007

Monday, December 17, were asegnati at the Teatro San Ferdinando di Napoli, Girulà Awards 2007 .
Among the many awards and I Miale Giuseppe di Mauro, we won the award for best authors of last season with "Four."

"Four" is a text that has given us much satisfaction, based on the award Ustica, to get to this Girulà.
The motivation:
"A text of great emotional and intellectual force, able to engage with and to mobilize the intelligence of viewers, calling all'autoesame their civic consciousness"

Thanks to everyone who helped to win of both awards.


PS Merry Christmas!

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GOMORRAH

AN ACTUAL CRITICAL AFTER FIVE WEEKS OF DEBUT:

AS 'THE CRITICS

power of the theater and actors, capable, as in real life, combining absolute tragedy fleeting moments of levity. [...] They move like robots in a desolate area divided into two floors between abusive pillars that serve as dramatic border. Leaving the protagonist, Ivan Roberto Castiglione, the task of linking the many facts. Result in a performance by the great pace, sometimes hyper-realistic, able to drown in the rapid scene changes all the risks of strict didacticism. (Stefano de Stefano, "Corriere del Mezzogiorno)

Underlying dell'allestimento "Gomorra" there is no plan to review in a civil perspective, the relationship between man Roberto Saviano, what he wrote and how that has turned into a story paradoxical, hybrid, full of endless voices and faces, lights, sounds, silences, gestures, movements. The same elements that extrapolated from the work of literature, we find summarized in the action of five prototypical characters, all played with extraordinary emotional intensity. (Francesco Urbano, "Rome")

Two fingers touching the microphone into the darkness of the room. You hear? Feels good: the lights, up a bit 'embarrassed in front of the microphone is Roberto Saviano. Not just him but his alter ego Ivan Castiglione, the actor with director Mario Gelardi has created the show "Gomorrah." The speech that the audience hears is the same as Saviano spoke in Casal di Principe September 23, 2006. Just the same, the writer had spoken off the cuff, Castiglione makes with millimetric precision. With hesitation, repetition and syntax of the jump so that speaks in public, supported only by his indignation. The show unfolds from that speech: Ninety minutes of indignation on the skin, just like that day in Casal di Principe. (Antonio-Tricomi Republic, Naples)

book have bought nearly a million people, while the users of the reduction stage (110 'yarns) can not be for more than ninety-eight hours to play, or how many contain the foyer of Mercadante. They are, however, the privileged, because director Mario Gelardi Gomorra, adapter of the text along with the author Roberto Saviano, is an excellent show, live, vital, exciting, the kind that every now and then reconciled with the medium. (...) The portraits are delivered by brilliant dialogue, all six players in a state of grace. (...) The stage is practicable to the bottom tier, like a bridge, but also concealed by the projection of abstract images and quite gloomy. The lights always evoke a mezzobuio unhealthy as if the sun never shone on these sites corrupt, whose natives do not seem to expect anything. It is not yet at a rally that we witness, Saviano does not want to impose anything, seems to have no other medicine to offer except the hope that more and more people stop believing this sad state of affairs as inevitable. But to feed her and our pessimism adds the consideration that this is not a local crime is picturesque, but the visibility of an occult system that now has branches, at least in Italy, almost everywhere. (Masolino D'Amico - THE PRESS)

were both absent at the first national Gomorrah Monday evening at the Teatro Stabile di Napoli Mercadante: that of the author Roberto Saviano, for security reasons he lived under guard, and that of hope as well as in the book became a bestseller worldwide. Lacked "the Adda passes '' a Nutt" of Edwardian memory, a phrase that indicates the certainty, while waiting, the light that will dissolve in the darkness of night and life. The concluding sentence instead Gomorrah - "Do not give yourself peace!" a very convincing Ivan Castiglione, in the shoes of the same Saviano, launches to the public, but that leaves a sense of inevitability, which brings with it the anguish of a scripted destiny-which is impossible to oppose. (THE FUTURE Valeria Chianese)

In a scenario from province ruined by illegal constructions - scaffolding pipe innocent, sand bags, cans of paint, uneven pillars - unfold the two planes of the scene, a citizen of any open space and a balcony with a screen, almost represent the two levels, the lowest of blind violence and animal, the armed with Kalashnikov fetish for the poor or drug test (left to prove to Visitors, those human maggots will do anything for a dose of kobret, heroin, ecstasy ) and the highest, the unscrupulous manager, graduated from the Bocconi able to bury tons of toxic waste from northern Italy within walking distance of the condominiums iperpopolati, that level business that is not dirty your hands (very well made by the stakeholders, the indispensable man, Giuseppe Miale Mauro), strangling retailers and farmers with rates of wear and manages trafficking, from Campania to China to Russia. (...) Due to the hot material of the novel, the stage version has decided to focus on short flash, a sequence of narrative paintings, conversations inevitably shortened in a continuous series of situations and events, where the same Roberto Saviano (played by Ivan Castiglione) is the more fitting. And in a dramatic final, returning the final words of the speech by Roberto Saviano, explorer of a malevolent universe dangerous, "until the end the night I go on this trip. Do not give yourself peace. " And no one at the end of the show, can get away with a light heart, going out in Piazza Municipio, among the piles of rubbish and the arrogance of petty crime, the busloads of tourists and the monuments filled with history. (IL MANIFESTO Flavio De Luca)

Un'inferno cement pipes and innocent to two floors, a grim crossroads of violence and trafficking, an almost neo-Brechtian theatrical performance with prototypes and shame from the opera and warning in more denunciataria theme of social plague of crime. (The Australian - Rodolfo Giammarco)

A rugged line, "nasty" unable to mediation, which is preferred by director Mario Gelardi. the show back on the lights on the "theater of the word" the "cultural ceremony" that Pasolini himself spoke when he wrote his manifesto in 1968.Di the choice to have the character of the same scene in Roberto Saviano, the figure of Ivan Castiglione, perfect alter ego of the writer, with his brisk walk, light, language direct, clear, saddened and scared, can show us the persistence of insomnia in battle, the loneliness of a heavy who is listening and only after listening to talks and writes. (...) In the show, played with an impressive realism by all the players, the word comes like a punch, a blow cold followed by a sudden heat that makes you sweat. Even in the most dramatic scene is denied catharsis. These guys do not care what tell the intangible allure of money online, the monstrous entrepreneurial force that makes many more deaths than those seen on the streets of Naples (3700 from '79 to present). It happened in the book. Saviano is fascinated by his enemies, does not bring the epic, as it did almost the entire literature of the subject by the Mafia "Godfather" on. If Toto Riina was able to sit in his cell two hours to contemplate the fiction that tells the youth he and Provenzano, on the contrary will ever no racketeer in the theater to see Gomorrah without wanting to breaking things. (Katia Ippaso RELEASE)

The book is now in history, one of those things are able to unhinge the minds and markets, customs officers, conformism. Not everyone is Neapolitan, not everyone knows and live. For them Gomorrah Roberto Saviano has opened the door without hesitation to re-establish a world entirely, giving him international fame and critical survey. For these people, but also for the players on the field, young and old, of a malaise, constantly updated, the writer has agreed to turn Gomorrah in the theater. Saviano's script with Mario Gelardi, chooses some nodes and shocking book exposes them, flashes of memory of witnesses who not only shows their wounds, pain in the face of corruption, cohabitation, the dishonesty, lack of future for new generations, but czech extension of the complaint and the fostering of a Socratic incazzatura. (...) The awfulness of drugs and fraud, money laundering, violence and conspiracies of which "tell" the six actors, all very involved, coming direct boulders whose lethal force is called in two ways, truth and courage. (THE MESSENGER - RITA SALA)

anger and anguish, but also a lot of bitterness, that's how it feels in listening to the fact narrated by Roberto Saviano. And this sense of unease and horror grows when the characters, only the first reading, take shape. It is on the scene "Gomorra" Roberto Saviano e Mario Gelardi, the latter also a director at the Teatro Mercadante di Napoli. The five stories from the novel by the authors are wisely intertwined and their glue, and star of the show, it's Saviano. It is a necessity that drives Robert to investigate the mechanisms of the Camorra, the need arising from a sudden pressure since childhood in a place where knowing how to shoot is the only way to gain respect as a man. (...) It is an obsession: "understanding is the only way you can protect yourself" - said in his touching speech made in 2006 in Casal di Principe, which opens the show, interpreted by an exciting Ivan Castiglione, who gives us the inner life of Robert without falling into trite attempt to imitate him. (...) What is striking about most of these characters is their sense of omnipotence, resulting only from the side of the "strong", those who rule. All staged in a simple, realistic, raw and emotional impact, as well as scenes of Roberto Crea, thanks to the evocative images and music by Ciro Pellegrino spectral Francesco Forni, perfectly complementary to the events, which add great poetry. (Il Brigante - Mariagiovanna Grifi)

Gomorrah in the theater is like a sudden punch, violent, fast, it hurts but that forces you to react. The striking realism of the stories brought to the scene, at the Teatro Mercadante, director Mario Gelardi and written by Roberto Saviano really comes like a punch straight to the stomach, do not you sit still in his chair, arms and legs in constant tension with the 'instinct to stand up and shout "Enough!". It is the story of a city always under construction, but in decline and in which one has the feeling of entering on tiptoe and then be dragged to and fro of the impetuous of stories, from their faces increasingly familiare.E the end you come out with my heart shattered by a thousand feelings, from anger to a world that really there, the tenderness that can cause the death of Kit Kat, a young drug courier who would protect all played by an extraordinary Adriano Pantaleo. (...) To act as the glue between the characters' events is the same Roberto Saviano, the stage in the figure of Ivan Castiglione (pictured above), perfect alter ego of the writer, with his clear and direct way of speaking, but not sorry scared, capable of writing a newspaper article about what his friends in the "System" they tell him, without fear of consequences and strongly believe it did not want to join. That "not worth anything and there you go," Saviano who spoke in his speech to the clan of Casal di Principe Casalesi opens the show: Ivan Castiglione recites in full, with the same emphasis and the same look angry and aware that the writer had that day when he spoke to his land. The prologue, which precedes the stage itself, is one of the highlights of the show in which the director Gelardi shows what was the "case after publishing Gomorrah." (...) Francesco Di Leva, fell perfectly in hand, can interpret Picatchu with staggering realism, was able to anger when kicking a boy suffering from an excessive dose of drugs, to inspire terror when holding the pistol to shoot a shot in the head at Kit Kat, her loyal pusher. Leverage can even be moved, when at last, his weeping commented on the death of Kit Kat worn off stage. (...) In the crime "free-range and popular" Picatchu and Kit Kat is opposed to the business by Mariano (Anthony Ianniello) and Stakeolder (Miale Giuseppe Di Mauro). (...) The final, against the backdrop of the desperate cry for the killing of Picatchu Kit Kat, Robert talks about the funeral of the boy, but even here there is the slightest hint of catharsis in the real demonstration that Saviano has "epicizzato" how to access these characters in "The Godfather" and is not even been romantically fascinated, put it "a mockery" by bringing to light the squalor of that reality. And returning the final words of the speech in Casal di Principe: "I come from a land where children are taught that life and death are the same. But I know that life and death are not the same thing and that until the end of this night will go on this trip. Do not give yourself peace. " (Viola Tizzano - Over News)

There are performances that are needed. To open minds, be a mirror of society, to denounce, to help keep the attention. A theater that face echo the truth, which will give "flesh" to the words. It will not allow the oblivion. Gomorrah show is a must, because everything speaks to us and slamming in his face, belongs to our present and can not, then do not stay on him. A truth that the novel is in the theater its real size, making theatrical form, "cultural rite." (...) But the message arrives, thanks to the great test of interpreters Antonio Ianniello, Francesco Di Leva, Adriano Pantaleo, Giuseppe Miale Mauro, Ernesto Mahieux. And in that final gloss always assigned to the writer "until the end of the night I go on this trip. Do not give yourself peace "there is a thread of hope that through us. (Giuseppe Distefano CITY-LIVE)

This Gomorrah gets inside you, you leave the sign as the thousand bloody footprints and the hundreds of holes kalascnikov the director projects on the scene: There is no cure in every aspect of the show, the musical connotation of "neomelodici" of Naples to the signs of a people in search of certainty as Pulcinella, Maradona, 'A Lady and San Gennaro at the end of Appian the show. And a glimmer of hope even in the final message of Robert: Life and Death is not - the same thing, but give yourself peace. (Barrel-Antonio Ardito)

photos by Marco Ghidelli

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Biblioteca Cantonale di Lugano, 1940

... A non-dogmatic rationalism, extraordinarily sensitive to the place is steeped in almost expressionist gestures, almost organic, both in the aggregation of several volumes that aluminum entering the park, both in the contrast between the sumptuous rigidity and simplicity of the volume of deposit books, with its stunning glass block front facing north, and the large window that opens up space in the reading room in the long balcony and more than in the surrounding nature. But it is also functional architecture: if you want to give to the concept of "functionalism," a more noble value that only add spaces between them, then that concept in this building achieves a high quality, Office of logic and clarity, plus a clear understanding of the ways architecture. In fact, the joint displacement that characterizes the building allows you to isolate and make legible the individual "places" of the Library, each of which takes its size and special formalities, such as the portion of the entrance, as the architectural body that contains the reading room, as the volume of the deposit of books. The same design approach is also evident in the composition of the façade, but within a coherent formal control known solutions for individual parts, each of which expresses independently of the content that stalled inside: the series of windows displayed together with the lotus of the main complaint the presence of the offices, the large window overlooking the park also points to the profane space of the reading room, the great northern wall of glass block brick formally expresses the storage of books, while the geometric north-western edge of the cylinder hidden inside the staircase connecting the floors of the warehouse. The set is solved with great formal properties: the invention combines high efficiency with its quiet honesty of the design of the fronts and the organic integration into the green. A 'coherent architecture in all its parts, whose unit is supported by the continuity of construction dictated by the use of exposed concrete, used both in internal structures, both in the construction of facades, both expressing high nell'aggetto closure of the roof, and that is partly in front facing, partly hammered.
In the text published in French magazine Vie Article Cite dell'innaugurazione 1942 at the Library and Carlo Rino Tami
write that "the concrete by the architect who has a habit of building with stone and brick a singular sense of freshness and freedom. But this freedom and this ease of construction is only apparent: this material requires great discipline on the part of the company, [...]. Cement concrete results in an aesthetic that is up to him and therefore we do not intuit that its features. And 'thanks to the integrity of its implementation and experience of its use that we can finally get the consecration of its plastic qualities [...]. "Finally
not be overlooked the defining elements of the interior of the building. As a lobby that welcomes people over the glass wall of the entrance, protected by the metal roof, as the spatial sequence that follows, the long corridor leading to the heart of the building and the joint space from which you enter the room reading, characterized by the large window at the Park Ciani and the beautiful sloping ceiling to the outside and in the end as the virtuosity of the spiral staircase that goes upstairs. Neither should we forget the furniture designed by Tami, the distribution of bank loans to the lamps placed on the reading tables.

Retrieved from text "Library Project. Space, history and functions of the Library Cantonale di Lugano ", published by The Research, Locarno 2005, p.. 69 "rationalism and expressionism in architecture Rino Tami" by Paolo Fumagalli.

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GOMORRAH

TIME RHETORIC

Gomorrah leave Naples.
After twenty-two replicas, 've got a Ture, Potenza and Bari first and then from November 27 at the Teatro Valle in Rome.
It 'been a very busy time with so many things to remember.
I like to remember the preview made with Roberto.
I like to recall the meeting with the County Judge, his clarity, his courage.
I like to recall the meeting with Charles Cerciello with Ottavia Piccolo and Frédérique Loliée.
I like to remember the emotion of the mother of Robert.
And yet, the affection of the whole Mercadante, from janitors to masks, from management to the Director.
I like to remember those who do not realize that the theater is changing. Like the mothers
rticordare Giugliano, their struggle and their heat.
I like to remember my fantastic actors with whom he created a more unique than rare.
Above all I want to remember those people standing at the end of the show, those people who embraced in the dressing room.
We carry the memory of all this and we hope to find the same affection in other cities.

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GENOA CITY 'OF RETIRED: PENSION FOR THE YOUNG, BUT WHAT? Appeal to all movements

ASSOCIATIONS "DECIDERE.NET" and invited to the WTP

S Abbot November 24, 2007 - 9:45 am at the salon of Palazzo Tursi representation at the conference "Genoa city of pensioners. But what's pension young people? "
Participants: Capezzone - Giancarlo Pagliarini - Enrico Musso - Luca Beltrametti - Renata Oliveri-Ettore Rivabella - Elizabeth Fatuzzo - Paul Rebuffo

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architect Rino Tami

"architecture is all the more true as it faithfully reflects the times in which it was incurred, molded in term "age" view of life that comes from philosophy, religion, politics, society, ranging from technical and scientific conditions of the moment. Each time has, therefore, to express a truth: and therefore every architecture out of time is intrinsically false. "

Rino Tami, of truth in architecture , January 18, 1958 inaugural lecture at ETH Zurich.

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anti CASTA: let us join forces! Giancarlo Pagliarini

The Hon. Vincenzo Visco first contributes in a decisive and stubborn to ruin our businesses, causing the economic decline of the country (with its "field studies" and "IRAP" forcing many employers to pay up to 75% tax, with peaks up to 227%!) then crying crocodile tears. During the debate on "economic culture of the Democratic Party" along with Walter Veltroni and Pierluigi Bersani said: "Italy is clearly a country in decline, growing from ten years less than the average European. E 'burdened by debt. The country needs a message of truth that until now the ruling classes, frightened or unconscious, have not been able to give. "
In the middle of a bunch of politicians who only know how to do unseemly brawls because their only purpose is to be able to get their hands on the mountain of taxes we pay, to manage public expenditure in the way of patronage that we all know, we must recognize that at least Visco did not use false words of laps but had the courage to admit that Italy is in disarray. The most reliable indicators are now agrees in our country for 41 th place in gradutoria world's most competitive countries. Remember that once we were in the top five. We realize that we all go forward and we will soon be in the company of third world countries? How did we end up like this?
not tell me that all the blame should go back to her reckless party politics that has taken over all media, trade associations, trade unions employees, banking, education, etc.. etc.. It 's true, everything is subservient to the political parties. Even now the elections are a farce. What voters decide? Prodi and Berlusconi. Good fight to determine which one is the worst! Both are champions of the parties of expenditure, other than good government!
us? We try to do some 'self-criticism, or not?
If crowds have taken over all the powers where we were? A debate between Prodi and Berlusconi! A just do not take criticism from any party!
I hope that the healthier part of the country, the most industrious, the entrepreneurs who succeed in spite of everything again to continue their activities, the employees who continue to do their duty despite the many efforts to reach the end of the month, that Italy should stop getting lost in useless criticisms seriously and begin to think more constructively.
We must create a broad movement is in favor of liberalism and against statism sides openly against the cross-party public spending . We know that the movement
decidere.net says the same things that we say only that they say it better than us, with more appropriate terms. To end this disastrous situation and put forward comprehensive proposals articulated better than ours. We continue to discuss the Capezzone that has a history of radical or want to talk about concrete things to do?
I hope that the various spontaneous movements are a lot of courage to set aside petty jealousies and that common sense makes us all converge in a great, great movement that knows how to give hope to the honest part of the country and that would force the parasites to go work if you do not want to die of hunger.
If all movements are not united, we must resign ourselves to keep us Visco, tubs and all the others. A magistrate of Catanzaro discovers that Mastella is involved in wrongdoing? No fear for Casta: is transferred to the judge! We go on like this? Let 's
with Capezzone Pagliarini and Sunday 28 to 17.00 at the Starhotels Cristallo Palace Via Betty Ambiveri No 35 to 100 meters from the highway exit at Bergamo and see how to block the country's moral and economic decline.

Morstabilini
John Bergamo, October 21, 2007
Committee "Less waste, Less Taxes"
Via San Francesco d'Assisi, 1 24121 Bergamo
Tel 035 271105 Fax 035 4178997
www.bastasprechi. org

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's response to the North West Objective

Bravo! Below is how I developed the theme of federalism to the two events of 22 September in Rome DECIDERE.NET the Pantheon September 29 at the theater and Milan Angelicum. Then we talked about the October 11 to August 3 unconvegno on the decree of the so-called "fiscal federalism" at the State University of Milan.
If you agree on these ideas help me to run them. If there is anything that does not convince you tell me.

First identify the tasks of the state, which are of two types: legislative tasks and operational tasks

Second compliments legislation is "exclusive" (a few) and "competing ", together with the Regions. Even these few.

Third : all other laws are the responsibility of the individual regions. Also in competition with each other. It is not "chaos", is competing to see who manages better, where the quality of life is better, which is attracting more investment and where there is more security and less thieves at large.

Fourth the operational tasks of the central government are very few. Include the management of public debt of the Republic, but not the management of welfare (LSU, disability, etc.).

Fifth the tasks of the State are valued at standard cost

Sixth : the tasks of the state are financed by one of two national taxes. The "tax to pay for services of the State"

Seventh the second national tax is the "tax equalization and for solidarity." The pay all the proceeds go to a "common pot". We calculate the average national per capita GDP. The regions that are exceeding not receive anything. Those which generate a GDP per capita below the national average shares of cashing "fee for the solidarity and equalization," provided that there is significant tax evasion and social security contributions

Eighth the calculation is not performed nominal values, but based on "purchasing power".

Ninth everything else, all other fees, are managed by the regions. Principle of tax competition between regions. As in Switzerland. Example of the canton of Obwalden: they have decided to switch to short the flat tax.

Tenth: in the regions where you decide to give so many services to residents (citizens, businesses, associations, etc.) the tax burden will be higher than the pressure in regions where the directors decide to provide fewer services.

There seems logical? Hello. Straw

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"Objective Northwest" willing to communicate and collaborate with "Decidere.net"

The Movement " Objective Northwest " always looks forward to everything that moves in the direction of change towards federalism in the country. For this "Objective Northwest" is available in mutual collaboration with the network " Decidere.net " on a draft of reforms and in particular on fiscal federalism competitive.
We would like a suggestion to include in the program political federalism, whereas without it, there can be no fiscal federalism.
Carlo Stagnaro, in his column, called federalism as an institutional entity pact different and mutually independent , who pool some skills.
Such a deal, therefore, leaves it to each contractor complete independence both from the political as in the fiscal , subject, of course, the tasks delegated to the center. It is very difficult even to imagine only a deal involving only the political sphere, rather than just the economic sphere.
The term "fiscal federalism" often takes on different meanings, such as simple tax management at the local level, which, in fact, would not bring any significant benefit to the citizen. It is therefore necessary to specify that municipalities, provinces and regions must decide which and how many charges impose and how to spend it, by keeping almost all subject to a percentage, determined in advance, to be directed at an equalization fund for the poorest regions.
But federalism is not just that, federalism is the recognition and protection of local identity and specificity , federalism is mainly popular sovereignty. We
"Objective Northwest" we believe we can make valuable contributions on this issue and, working with highly qualified and knows the field, one of its signatories to "Decidere.net, we can convert an" abstract "point in the program proposals in the series, practical and effective.

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Giancarlo Pagliarini, a staunch fighter in the battle to reform the state in a liberal sense


Interview with Giancarlo Pagliarini
By Andrea Ferrari,

Wednesday, September 19, 2007

of turncoats in the country, the Liberals out of time and of the former, there a politician who still support the ideas for which it has always fought without the risk of appearing ridiculous and not credible. This man is
Giancarlo Pagliarini, a driving force of the Northern League from the early days, liberal and federalist convinced, a great nuisance in parliament and staunch fighter in battles to reform the state in a liberal sense , much to enthusiastically participate in a meeting in Milan on Decidere.net of the pension reform of the Prodi government. The usual Italian
compromise not going to touch the system he called the "candle to the Madonna", staircases and steps that the skin accaponare fan who, like him, has always offered a pension reform based on the funded system. A Pagliarini galvanized by the recent visit to Catalonia which is a great admirer and that does not fail to mention when I ask an opinion on the proposal of the tax strike launched by Bossi.

"Jordi Puyol own a few days ago he proposed a tax strike, but not because Zapatero's okay, but because the state does not comply with the commitments enshrined in the new Statute of Catalonia. In Italy, however, seem to me the power games. Bossi said he is an initiative to bring down Prodi, but is an approach that does not convince me. I mean, even if Prodi to go, this tax system would still not andarmi well. If it was a strike for a true federalism would agree, but if it is only a means to replace one with another, then no . "

Why is no longer part of the Northern League?

"The breaking point was the last Congress when it debated the house plan that did not speak of freedom and fiscal federalism in which they proposed to sell the goods of alienable common to reduce the public debt . In closing Congress Leoni said, "in Varese is a very serious problem: in some churches the Mass is said with the Roman Rite, while in others with the Ambrosian rite." At that moment I wondered that there was really doing in there ... "

And how do you explain the drift-conservative cleric in recent years?

"I can hardly understand him, but I get the impression that last boss does not have much over the reins of the movement, partly because of his health. On a Catalan newspaper was the news that three members of parliament in Brussels of the extreme right had been arrested, among essic'era Borghezio. The thing I was really thinking because the League conosciutoio I would not have been confused for an extreme right-wing movement. Unfortunately, the power has made us lose sight of the real reason they came: federalism. "

Lately there is much talk of security problems and the chronic inefficiency of Italian justice. such proposals to address the problem?

"should be given more powers and responsibilities to the local police in Catalonia have done so and I think Stian excellent results. Justice in Italy is very politicized and even in this context regionalization in order to create a virtuous circle that leads to copy the regions with better models. "

What do you think of the Bersani decree on deregulation?

" I'm definitely better than those that do not Berlusconi has done, in Bersani must give us at least acknowledge that tested. Besides, nobody in Italy wants to liberalize because politicians are constantly hunting for votes and have fear of displeasing some voters touching interest. "

inevitable question these days: an opinion on Cricket and accusations of populism that are moved.

"He threw some non-standard proposals in heaven or on earth, but sleeping in a country like this if there is one who asks questions and moves a little water, well venga.E then be statist and populist politicians is worse than being. "

Outlet Maritain Girbaud

Federalism and diversity

E 'in 1992, exactly 15 years ago, the number 2 of Micromega Gianfranco Miglio, during a conversation with Sergio Chisels-article (also available on Padani Papers No. 64-65, of March-June 2006) reflects on socialism and federalism. Thinking about the end of Soviet communism, identifies the two main points that led to the failure of the model of society or the certainty of income and employment for all and equality of income trend. Two concepts that are the leitmotif of the house next to ours, which periodically comes back to fear the specter of communism, collectivism, apparently unaware of the history, unable to understand that the guaranteed income, however, inhibits the drive to work and produce as well as prevent people, particularly those in the middle - low, as indicated by Miglio, to improve their standard of living, freezing the drive to gain.

Mile, with clarity, states that " without a strong dose of egoism, without the desire to be envied by others, there can be no progress or development, but economic stagnation ." The form of organization that more other is able to enhance the individual becomes one founded on pluralism, culminating in federalism Millet wrote "Politics the twenty-first century will be the prerogative of those who can get rid of old myths, claiming a pluralist and federalist choice, against the inertia generated by the idea of \u200b\u200bthe prevalence of the unit on diversity. " The keystone of federalist thinking is precisely the diversity ( or specificity), socio-political translation of the individual rights of ethnic-cultural Mile translated with the right to "be who you want (and who does it), developing its own peculiarities in free cohabitation rules to contracts, beyond the concept of commitment timeless.

We apply these ideas to the system tax and discover that there is no genuine federalism, fiscal federalism . why talk of fiscal federalism in our house, with a constitution that is not a federalist, with a country that is still highly centralized, it is at least improper . Then we go to the source of European federalism. On the Federal Gazette of July 24, the Swiss Confederation has published the Federal Council report on the impact of different policy instruments on Swiss federalism (www.admin.ch). Without going into the technicalities of the document, a paragraph in the introduction is for the very nature of Swiss federalism, it describes the central elements of this system Mile considered the only form of federalism really accomplished. Cantonal autonomy (ie, shared sovereignty) and wide powers of participation in the cantons to the "determination of the will and the enactment of federal laws" are the heart of the Swiss.

cantonal autonomy, in particular, is expressed in the sovereignty of the cantons, the existence of its own constitution, elected independently of organs and especially in availability of own financial resources, the "famous" fiscal responsibility does fiscal federalism crucial to recognize the discriminatory federalism. While in the heated debate that has long life to the Swiss political community about a possible entry into the EU is a firm that seems not to be questioned, it is the authority of the cantons in revenue, a sacrosanct principle and essential that sinks roots in the very essence of the concept of federalism. The Report which I have quoted in paragraph 6.4.1, states, "Unlike other federal states (eg Germany), taxes are an important element of competitiveness as a business location from the cantons. Tax competition is one of the causes of the tax in respect Low force in Switzerland. It consists of three elements: the autonomy of cantonal revenue given by the power to fix the tax laws, the autonomy of cantonal expenditure data from the determination of the estimate and the financial equalization accomplished at the federal level, which will partly compensate for the cantonal disparities. "

in the Swiss cantons, therefore, the people, parliament and government acting independently on taxation and expenditure for the community. Fiscal federalism, the report says, is an important part of Swiss federalism and plays a crucial role in it to ensure its vitality. A conviction which allowed the Federal Council to respond firmly to the European Commission officially adopted in February that illegal tax privileges granted to companies in the cantons, recalling that the EU fiscal autonomy is enshrined in the Constitution and that tax competition taking place in federal government has shown so far to work well. On the other hand is not a coincidence that in the ranking for GDP per capita published in Il Sole 24 Ore last Aug. 20 Switzerland is one firmly in charge with $ 49,995, ranking, however, tells us something more, we suggests a way to change, in the first ten countries in the world, in fact, have four federal structure; behind Switzerland, there are in fact the United States, quarterfinals, Canada, Germany ninth and tenth. (Just for the record, we are 19th with $ 26,095).

Chiara Battistoni

Are You Physically Stronger Han Your Husband

With the operation of a High School Educational trilingual - ASP - in the canton of Graubünden has been possible to distribute and protect its trilingualism gente.Per this since kindergarten is possible 'language learning in a gradual and integrated in order to achieve competence in three languages \u200b\u200bat the end of the school 's requirement

The ASP-GR is the only high school teacher trilingual Switzerland. Train teachers for the German, Italian and Romansch in Canton Grisons. Qualification also female students and students of English teaching in primary school and also teaching in the field optional French. Besides teaching in the first language skills are reinforced in a second language cantonal (usually the German people of Italian and Romansh and Italian or Romansh for German-speakers). At the end of training each student and each student is qualified to at least a second language in the canton.

Heterogeneity and multilingualism within the guidelines of the school. Certain courses are also held in two, three or more languages. This requires on the part of female students and students a flexible and open attitude towards languages. To ensure that students and students can actually live the dive bilingual teaching, some modules are taught in a language other than their own. In the third year there is also an internship in the territory of their L2.

For students native Italian half of the course turns into Italian and 80% of the practice takes place in Italian-speaking territory. For students, the percentage of Romansh language of instruction in the native language is 30% and for doing the same for Italian speakers. Female students and students Romansh have the opportunity to acquire a diploma that allows them to teach both in Romansh and German.

In order to ensure a link the ASP GR teaching with other schools in Switzerland and the world of research and school development. The Office
coordination languages \u200b\u200bor has been involved with the following working groups: Education Commission of the Pro Grigioni

Italian Forum Fremdsprachen in der Primarschule
Working Group Rumantsch Grischun
Harmos onizzazione arm-school programs. Viga