The following public Katia Ippaso this article, it explains some concepts better than I do to Gomorrah in the theater. It 'also a way to thank her.
Katia Ippaso
It has spectacular effects but drags you into a black history of boys burned. With the weapons of nonviolence never ambiguous, evokes the violence of the Camorra's business: the line of the curtain that hides the blood money, staging pantomime "Company of Men." E '"Gomorrah" the reportage novel by Roberto Saviano, alchemical synthesis storytelling and self-defense without inquiry into the reality of the danger (otherwise, those words would not be born). Pending the homonymous film by Matteo Garrone, in competition at Cannes, April 25 "stage" Rai Due opens with the airing of the play of Saviano e Mario Gelardi, director of television Marisa Vesuvius (22.30). Gelardi says he is worried: "It is not the outcome of the program that makes me pensive, by its nature, the drama on television has no luck and all that will be judged with optimism. My thoughts revolve around the reception that will have the work: it was said that mine is a popular show, which like most public that the insiders. "Unknowingly, the theater gives us good news and forces us to measure ourselves on the meaning of the word" popular. "Che" Gomorra, "the show has not completely satisfied with the experts (which we incomprehensible, since it is a work that avoids the strict epicizzazione trivial crime, fiction by our favorite subject) goes to his credit, who has filled the theater as well. The painful focus of a loosening of political language the real human condition is not, of course, only a matter of debate specialist, and invests substantially the culture in our country is run by its most elite short-sighted, Saviano envious of a niche in the world, those who are not ashamed to go in the first line (only to then be forced to become internationally acclaimed as the phenomenon or voyeuristic: the writer twenty-nine, threatened with death by the Camorra runs today under escort). The show blatantly resembles the book. Yet it is the chamber version. Of the complex field fielded by Saviano, were isolated only five stories on the side of "hustlers" are Picatchu that the big boss wants to kill and die like the boss, Mariano set with Mr. Kalashnikov, and Kit Kat baby carrier of drugs. Young lord of the apocalypse, but it is a stakeholder who studied at Bocconi and has "specialized" in the recycling and disposal of toxic wastes. Then there is the innocent Pasquale, a tailor who sewed for a few Euros, without knowing it, the dress that Angelina Jolie wore to the Oscars. Finally he's there, Saviano, embodied by an actor out of the norm, Ivan Castiglione, able to show, through a dramatic physical pain that fear away, the loneliness of who is listening and only after hearing about. All this is popular? Not at all like people to work? If it were really so, we would be saved.
